Nina Paley has become synonymous with her critical view of copyright. She’s also a bold explorer of financial models based on open source. Anyone who’s followed her from the days of her fantastic feature film effort “Rita sings the blues” will know that her openness was at least in part an act of desperation. It’s one of the truly wonderful things about internet culture that her courage has been rewarded.
In light of recent comments by Greg Paul about his artwork, I think this new interview with Nina could be of value to the paleoart community. I doubt there will be much agreement, but it can’t hurt to soak up that energy and to consider alternative mindsets and how they’ve paid off right here, in the real world.